Each great dance we will ever have comes down to a few foundational building blocks. If all the blocks are there, a dance will be more successful and pleasant. But, if we prioritize certain building blocks over others, we end up with an unbalanced experience. Those building blocks can be summed up as the Who, What, Where, When, Why, and How of the dance. The Who: Connection Connection (the “Who”) is your awareness and understanding of your partner. It encompasses how you touch, hold, or feel your partner’s body. It is important for understanding the what of a dance, because it…
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“Just feel it.” It’s a phrase meant to be a catch-all for expression in dance. It’s supposed to speak to an intrinsically natural sensation of being ‘in-tune’ with the music and dance. But, what exactly are we supposed to ‘feel’, and how do we use our ‘feelings’ in dance? More than a ‘Feeling’ Most of the time, the word ‘feeling’ gets conflated with the idea of ’emotion’. You feel happy, sad or angry. But, a ‘feeling’ isn’t limited to an emotion. It can also encompass a state of being, or a texture. For example, being tired is a ‘state’ of being – as…
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Have you ever felt like your leading is a bit ‘boring’ and is stuck on autopilot? Do you default to the same movement set, regardless of music? Follows, do you ever find yourself just ‘going through the motions’ on a step? If this sounds like you, you may be dancing on default.
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Many leads I’ve met are frustrated by a paradox they see in the dance world. It can often seem that follows say “I want a guy who leads solid, connected basics – not advanced patterns”. Yet, the same follow is completely smitten by a lead with really, really cool moves that challenge the follower. Obviously, this can lead to a fair amount of frustration. Leads *really really* want to be a great partner dancer and give their follow an amazing time. They want to look good on the floor, and be that lead that the follows can’t wait to dance with.
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Rhythm and Musicality: the cornerstones of almost every dance style in existence. We put so much emphasis on being ‘On Time’, of ‘Hitting the Break’, ‘Feeling the Music’ and of ‘Expressing the Song’.