Dear Leaders, You’ve probably heard somewhere that if there’s a mistake, it’s always your fault. I want to tell you that this isn’t true. As a lead, you are supposed to compensate for a follow who is struggling. This might mean slowing down, changing the moves you use, or being more clear on what you would like. But, the fact that you’re supposed to compensate for your partner doesn’t make you at fault for every mistake that happens. Compensation is a great thing. But, there’s only a certain amount you can compensate for. For example, you can’t magically turn a…
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Some dancers in close-hold dances like to do isolations with their hips and upper body. However, some dancers also use the “Leg Clamp” as a way of trying to connect and control the movements. The Leg Clamp is when a partner places their legs on either side of one of yours, and squeezes your leg. It can be found in many dances. Often, it’s used for one of two reasons: to immobilize the lower body in order to create upper body isolations (which is typically how it is used, when executed well). to maintain “connection” in the lower body, frequently…
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In partner dance, we have two (typically) well-defined roles: leader and follower. Each of these roles has its own set of responsibilities. The leader is the director, who has a vision for what happens next. They create the requests, which are then processed by the follower. The follower interprets requests made by the leader, and implements the request. They create the vision the leader has set out. But, what if we blur these lines a bit? The Concept of Following while Leading The most sought-after leads have a very special quality: the ability to understand and interpret the responses given by…
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When I was a new teacher, I had a student who began as a very ‘heavy’ follow. She used so much resistance that I would be exhausted after one dance with her. After a few months of regular practice, she became a ‘lighter’ follow. It was a beautiful connection. But, she didn’t stop there. She kept trying to connect more lightly. After all, the response to the initial ‘lightening’ was very good – so more must be better, right? The Overcorrection Conundrum This is a habit that I’ve seen quite frequently with dedicated but less-experienced partner dancers. First, they get a piece…
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The idea that lifts shouldn’t be done on the social floor is well-known. I agree with this, the vast majority of the time. But, every time we mention that it’s a no-no, there’s some lead out there who knows this one person follows are happy being lifted by. And, they want to do it too. So, let’s go through all the things a leader must do in order to lift someone on the social floor in an acceptable way. If even one of these pieces is missing, you are not in a position to do lifts in a social dance-acceptable way. You may be…
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Most dancers have heard of the dreaded Backleader: the follow who doesn’t listen to their partner. But, until now we didn’t have a similar concept for leaders who don’t lead. Therefore, I’d like to introduce the concept of backfollowing: when leaders ask the follower to take over the job of leading. What is a ‘Weak’ Leader? A weak leader is someone who lacks the skills to lead properly. There are two main types of weak leaders: the non-existent or ambiguous, and the rough, conflicting lead. The concept of backfollowing is closely linked to the non-existent or ambiguous lead, whereas the rough, conflicting…
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I was speaking with a dancer a few days ago. She was learning how to lead, but was scared of being ‘too strong’. Part of the fear stemmed from the idea that good follows prefer ‘light’ leads to ‘strong’ leads. So I asked her about a particular, very well-loved lead. She said she does enjoy dancing with him. I asked her if she would consider him a ‘strong’ lead. Her answer: “yes.” This is, of course, a conundrum. If a follower enjoys a lead they consider ‘strong’, but doesn’t like ‘strong’ leads, there’s something that needs to be redefined. In this first…
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When I’m not dancing, I currently work on making plain-language legal resources. This means that I write things that are supposed to be easy to understand for people without advanced English language skills. Today, I had a thought: what if we apply the concepts of plain-language communication to social dancing? What if we had plain-language dancing? What is Plain-Language Communication? Put simply, plain-language communication is when your audience can understand something the first time they read or hear it. It’s making things as simple as possible for your audience. If you have to read something more than once to understand it, it isn’t…
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I hate to break it to you, but this post isn’t going to be where I give you a magic formula that works with every partner. There’s no universal ‘great dance’ formula. However, every social dancer has their own personal ‘great dance’ formula.
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Hands are magical. They’re one of the most sensitive parts of the human body, and can even feel large microscopic molecules on a flat surface. We also generally rely pretty heavily on the hands for social dancing. Of course, it is possible to not use the hands in social dancing – but it is difficult. But, there are things that your hands can do in social dancing that you may not think about regularly.
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Many leads I’ve met are frustrated by a paradox they see in the dance world. It can often seem that follows say “I want a guy who leads solid, connected basics – not advanced patterns”. Yet, the same follow is completely smitten by a lead with really, really cool moves that challenge the follower. Obviously, this can lead to a fair amount of frustration. Leads *really really* want to be a great partner dancer and give their follow an amazing time. They want to look good on the floor, and be that lead that the follows can’t wait to dance with.
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Pinball Lead: a lead who does not let the follow finish a movement before launching into the next one. I have come across many Pinball Leads in my time. They can be a newer or older dancer, outgoing or shy, kind or snobby, and many other things. The unifying factor: they usually think that they’re doing the movement really well while they are pinballing me around.
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A Note from Laura Riva: I don’t normally post guest articles on my blog, but for Trevor Copp I make an exception. For those who don’t know, Trevor is one of the people behind the Liquid Lead Dancing Tedx Talk that took place a short time ago. He is also one of the people I met in my early dance days – before I even knew what Zouk was! So, when he said he wanted to write an article for TDG, how could I refuse…
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A few days ago, I published an article about how a leader I danced with managed to turn a really rough and scary dance into an amazing one. It was meant to show how respecting and communicating with your partner can lead to amazing dances – and rescue them when something is going wrong.
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I recently arrived home from one of the largest Zouk congresses in the world. It was full of all kinds of social dance partners, but there are a few that truly stick out in my mind. One was a dance where, after the first 20 seconds, I became very scared for my safety. But, unlike every other rough dance I’ve had, the leader managed to transform this dance into one of my most memorable of the weekend.