• Congresses & Travel - Dance Discussions - Health & Safety

    Dance in the time of Corona: A primer and suggestions on the novel Coronavirus and social dancing

    A FOLLOW-UP TO THIS ARTICLE IS NOW PUBLISHED WITH REVISED INFORMATION BASED ON THE SITUATION AS OF MARCH 12, 2020 Note from The Dancing Grapevine: The Author, Dr. Hsu, is a physician actively practicing in both community and acute care hospital settings. She has spoken extensively with a Public Health specialist physician about this matter, particularly how the Novel Coronavirus will interact with our dance communities.  Novel Coronavirus: An Unexpected Reality Is this real life? Yes, it is. But, social media posts from your friends are not the best source of information. Instead, you should look for information from the…

  • Community Building - Etiquette - Health & Safety - Social Dancing

    Why Passive-Aggressive Feedback Doesn’t Work

    Have you ever had an unpleasant dance? Maybe your partner squeezed your hand too hard. Maybe they were generally off-time and a bit rough. What did you do? Did you fix your face into an unsatisfied scowl to teach them a lesson? If you did, you have engaged in what I call passive-aggressive feedback. What is passive-aggressive feedback Passive-aggressive feedback is when a dancer uses body language (or, in extreme cases, even words) to indicate to their partner how unhappy they are with the present situation, but does not offer any constructive information as to what the issue is or…

  • Beginner-Friendly - Congresses & Travel - Health & Safety - Performance & Competition - Social Dancing - Workshops & Classes

    Guest Article: The Importance of Warm-Ups

    A Note from Laura: Sydney is a lifelong dancer who holds a Masters degree in dance and has substantial experience in both solo and partnered styles. She is currently travelling around the world to better understand the history, culture, and technique of Brazilian Zouk. Given her extensive classical training, she seemed like a great person to author a piece on the importance of a full warm-up and cool-down in the context of partnered dancing – an aspect many social dancers neglect. We hope you enjoy her debut piece on TDG.  Injuries: One Potential Culprit Social dancers often don’t think about dance…

  • Community Building - Dance Discussions - Health & Safety - Social Dancing

    Dance Predators

    In social dance, we often exist in a bliss bubble. We are used to physical touch and trusting those around us. But, these conditions also make it easy for people who are predators to manipulate or prey on us, our friends, and community members. More often than not, the first allegation against someone won’t get a lot of traction unless there is substantial proof. But, in most cases, predators don’t commit a one-off assault. Rather, there’s a pattern of behaviour. One person may have experienced dance floor groping; another may have been kissed by force. Then, you may find out…

  • Beginner-Friendly - Etiquette - Social Dancing

    Why some partners won’t tell you when you’re making them uncomfortable

    I have always advocated strongly for dancers to speak up when something hurts, or when they’re uncomfortable. I still think it’s very important for dancers to learn how to use their voice. But, part of understanding our current social dance culture is also understanding that some people are not yet confident enough to speak up. No “Blame” (Usually) While we don’t like to think about it, sometimes we might be the person who made someone uncomfortable. There are very few (if any) people who actively want to make their partner uncomfortable. Most of us strive for the opposite. And, one of…

  • Health & Safety - Social Dancing

    Why the “Leg Clamp” is dangerous

    Some dancers in close-hold dances like to do isolations with their hips and upper body. However, some dancers also use the “Leg Clamp” as a way of trying to connect and control the movements. The Leg Clamp is when a partner places their legs on either side of one of yours, and squeezes your leg. It can be found in many dances. Often, it’s used for one of two reasons: to immobilize the lower body in order to create upper body isolations (which is typically how it is used, when executed well). to maintain “connection” in the lower body, frequently…

  • Etiquette - Social Dancing

    Guest Article: A Plea for Verbal Communication

    “Words are inadequate, this is why we dance” – Unknown Ah, partner dancing: the communication between two bodies to music. It transcends the individual and words. I really dislike talking while dancing. It prevents me from hearing the music and takes me out of the moment. I don’t even really like talking before or after dancing. Those 10-second chit-chats in between dances drain my energy. I’d much rather have a deep conversation with two friends over dinner than talk about the next workshop before the next dance starts. Even so, I’m here to encourage you to talk more. I think…

  • Dance Discussions

    On Sexual Assault

    Today is the third time in under a month that a story of sexual assault by a prominent dance figure has arrived in my newsfeed. That is extremely maddening. To be clear, I’m not taking a legal stance on whether or not the assaults in question ‘actually happened’, though my personal opinion is that the facts presented seem rather plausible in all three situations. But, that’s not my point today. My point today is to talk about how every person in our community has an obligation to always ensure they have a willing partner in every sexual encounter they have. No…

  • Leading - Social Dancing

    The Anatomy of a Social Dance-Acceptable Lift

    The idea that lifts shouldn’t be done on the social floor is well-known. I agree with this, the vast majority of the time. But, every time we mention that it’s a no-no, there’s some lead out there who knows this one person follows are happy being lifted by. And, they want to do it too. So, let’s go through all the things a leader must do in order to lift someone on the social floor in an acceptable way. If even one of these pieces is missing, you are not in a position to do lifts in a social dance-acceptable way. You may be…

  • Beginner-Friendly - Health & Safety - Social Dancing

    The Floorcraft Checklist

    Floorcraft: the dance equivalent of driving. Most people are reasonable drivers – but sometimes you get the truck driver who decides doing a U-turn through a red light on a 6-lane road is a great idea (true story). Or, you could be a completely naive country girl driving for the first time in a big city that accidentally drives the wrong way into the underground streetcars-only lane (It was poorly marked, looked like a normal left turn, and this story is definitely not about me.) Floorcraft is the same. On any given floor, you have people who are: Good at it (normal, experienced people),…

  • Etiquette - Health & Safety - Social Dancing

    Good Intentions..?

    Have you ever intentionally hurt or made someone uncomfortable while you were social dancing? (No? That’s what I thought) Now the trickier one… have you ever felt like someone intentionally hurt or made YOU uncomfortable while you were social dancing with them? What about, while not intentional, negligence (a lack of care) was responsible for the injury?

  • Etiquette - Social Dancing

    The difference between not taking lessons and being a ‘dangerous’ dancer

    I understand why people say they will not dance with people who ‘do not take lessons’, but I disagree with them when they say it is because those people are ‘dangerous’. It’s impossible to judge whether or not someone is a dangerous dancer by whether or not they take classes. Is there a correlation between not taking classes and danger level? Possibly, but it isn’t always that simple.

  • Following - Health & Safety - Leading - Social Dancing

    Who is Responsible for Floorcraft?

    Floorcraft: being aware of your surroundings while dancing to maintain safety and comfort for you, your partner, and couples around you. It can include watching for potential collisions, respecting the flow, direction, or slot on the floor, and troubleshooting out of dangerous situations. The general rule preached in many dance communities is that it is the lead’s job to watch the floor during a dance. I would argue that it is actually a shared responsibility: the follow has a great deal of control in managing floorcraft, as does the lead.

  • Dance Discussions

    Going to Fuse? Do It Right – Please!

    So… about 5 minutes ago I saw a video. It was supposedly ‘Bachata’. What it really was consisted of an out-of-control diamond, a badly executed lateral, a rough chicote, and a couple other things. Basically, it was horridly executed Brazilian Zouk. It was not Bachata in the *slightest*.  This isn’t the first time I’ve seen a video like this.