• Dance Discussions

    Dance is Therapeutic – but it is not Therapy

    Hello all, It’s been a while. For most of us, we’re still grappling with the effects of COVID-19 on our communities. My own city is still in lockdown; I’ve barely danced for a year. That year has given me a lot of time to reflect on both how dance has been an important and fulfilling part of my life – but also the parts of me that have suffered or been exacerbated by the pressures I put myself under within the context of social dance. This reflection has led me to a conclusion that may strike some as controversial: Dance is not…

  • Beginner-Friendly - Congresses & Travel - Health & Safety - Performance & Competition - Social Dancing - Workshops & Classes

    Guest Article: The Importance of Warm-Ups

    A Note from Laura: Sydney is a lifelong dancer who holds a Masters degree in dance and has substantial experience in both solo and partnered styles. She is currently travelling around the world to better understand the history, culture, and technique of Brazilian Zouk. Given her extensive classical training, she seemed like a great person to author a piece on the importance of a full warm-up and cool-down in the context of partnered dancing – an aspect many social dancers neglect. We hope you enjoy her debut piece on TDG.  Injuries: One Potential Culprit Social dancers often don’t think about dance…

  • Community Building - Congresses & Travel - Dance Discussions - Etiquette - Social Dancing

    Breaking the Dance Monkey and Dance Clique Cycle

    A while ago, I wrote an article about the many reasons that professionals don’t always social dance. However, beyond that, there seems to be a fundamental disconnect both in how advanced dancers treat newer dancers, and the way that new dancers treat their dance idols. In many places, this has led to a strange dynamic where advanced dancers almost shun newer ones, while new ones create dance queues and demonize advanced dancers who are not super generous in their dances. As a social dancer in some styles and a professional in others, I’ve been on both sides of the divide.…

  • Beginner-Friendly - Community Building - Congresses & Travel - Inspirational - Social Dancing

    The 5-Dance Challenge

    Some of us complain that when we go to big events, congresses or festivals, we have a hard time getting dances. This specifically seems to affect solo travelers more than those coming with a large local group. These experiences can lead to us feeling deflated, insecure, and disillusioned. In some cases, it can even negatively colour the entire event experience. Others (particularly those who travel frequently) end up largely dancing with the same pool of desired and known partners. While this can be fun, it can also eliminate possible fantastic new partners. It also misses out on the thrills of bringing newer,…

  • Beginner-Friendly - Following - Social Dancing

    Heaviness vs Solid Connection

    Have you ever been told that you were a ‘heavy’ follower, attempted to become lighter, and were then told that you were too disconnected or floppy? Or, have you been told your connection was too “light”, attempted to adjust, and then found yourself being called too “heavy”? If so, this article is for you. The “Heaviness” and “Lightness” Problem Frequently, social dancers use heaviness and lightness as catch-all phrases to encompass the idea of “connection.” A follow who is “too heavy” often has too much tension, pushes down their arms, and can feel immovable. A follow who is “too light”…

  • Dance Discussions - Etiquette - Social Dancing

    Are Social Dancers Mean?

    Question: What do all the following scenarios have in common? A follow is encouraged to walk off the floor if their lead unintentionally executes something rough. The lead is also called an “idiot” by the advice-giver. An advanced dancer is told that they’re selfish for dancing several times with their favourite dance partner. A scene leader is told that they’re self-centered for not giving more to their community. A girl gets rejected for dances because she wore something “too revealing.” A lead gets excluded from a social dance competition because he’s not “devoted to dance enough” for a competition where follows vote…

  • Dance Discussions - Etiquette - Social Dancing

    One Dance vs. Several: Which system is better?

    Each dance has their own system and customs for dancing. Some dances have a pretty defined limit of one-song-per-partner, while in others you can spend an hour or more dancing with one person. Tango has the most defined example, with a Tanda (3-4 songs) being the ‘standard’. I spend the majority of my time dancing Brazilian Zouk, which has a pretty open, multi-song system in both North America and Europe. The ‘norm’ is 2-3 songs per partner in most places. One is still polite and acceptable – but so is dancing for over an hour. I’ve also gone to WCS events, where the general ‘rule’…

  • Congresses & Travel - Dance Discussions - Etiquette - Social Dancing

    The Ethics of Paying for Dances

    We are used to paying cover to go social dancing, but for many people the concept of ‘paying for dances’ is both foreign and alarming. It is usually men who are ‘paid’ as a partner, and women who are paying. And, the practice is more frequent at large events than small socials. Paying for dances comes in several forms: taxi dancers, who are paid or given complimentary entrance/discounts to an event in exchange for social dancing; fundraiser dances, where pro’s are ‘tipped’ for a minute of social dance time and profits are donated to charity; dancer ‘rentals,’ where a high-level dancer is…

  • Health & Safety - Social Dancing

    Why the “Leg Clamp” is dangerous

    Some dancers in close-hold dances like to do isolations with their hips and upper body. However, some dancers also use the “Leg Clamp” as a way of trying to connect and control the movements. The Leg Clamp is when a partner places their legs on either side of one of yours, and squeezes your leg. It can be found in many dances. Often, it’s used for one of two reasons: to immobilize the lower body in order to create upper body isolations (which is typically how it is used, when executed well). to maintain “connection” in the lower body, frequently…

  • Beginner-Friendly - Etiquette - Social Dancing

    The Cologne Problem

    Recently, a gracious leader asked me to dance. We got into close hold, and the connection was lovely. But, within 3 seconds in close hold, I had to walk away from the dance. He was wearing so much cologne that I could feel my throat swelling and eyes start to water. So, after a few moment, I pulled away from the embrace and told him the problem that I was having. It felt terrible to leave the dance, but for my health, I had to. As someone with a sensitive respiratory system, heavy scents can ruin a night for me. This is ironic, since…

  • Social Dancing

    Should pros social dance: a follow-up

    Yesterday, I published an article about why some artists may not social dance all night at parties. Several dancers responded, and said they felt it was a near-mandatory part of an artist’s job because social dancers are their “employer”. Some also felt that it wasn’t an obligation, but not social dancing makes you a ‘dick’. Others stated that since it can be a highlight for attendees, artists should do it. I can understand where these feelings come from, but this is why I disagree with these ideas. “Social Dancers are the Artist’s Employer” Social dancers are not the employer. I know…

  • Social Dancing

    Should Pros Social Dance?

    Many social dancers go to events for the opportunity to dance with their favourite pros. In some places, the most sought-after dancers can have a line-up of people waiting for their “3-5 minutes of heaven”. But, there are some pros who social dance very little – or seem to social dance ‘too much’ with other professionals. Are they breaking a rule? Should there be a ‘requirement’ or ‘expectation’ that a professional social dance as much as possible -and with everyone at an event? My answer? Usually, no. Which pros are we talking about? This article is primarily directed towards the ‘top tier’ of…

  • Fun Stuff - Social Dancing

    The 7 Deadly Dancer Sins

    In many Western cultures, the idea of the 7 Deadly Sins is a common way we frame undesirable attributes. They capture habits that are easy to fall into – but may create havoc in our personal or professional lives. In dance, we have our own ‘Sins’ that can sabotage our dance experience. Some of them are primarily interpersonal problems; they affect our relationships and reputation. Others are primarily personal; they affect our own internal experience – and can even cause us to leave dance forever. Lust The dance sin of Lust is using social dancing solely as a mechanism to make…

  • Workshops & Classes

    When Fixing Problems Goes Too Far

    When I was a new teacher, I had a student who began as a very ‘heavy’ follow. She used so much resistance that I would be exhausted after one dance with her. After a few months of regular practice, she became a ‘lighter’ follow. It was a beautiful connection. But, she didn’t stop there. She kept trying to connect more lightly. After all, the response to the initial ‘lightening’ was very good – so more must be better, right? The Overcorrection Conundrum This is a habit that I’ve seen quite frequently with dedicated but less-experienced partner dancers. First, they get a piece…

  • Congresses & Travel - Etiquette

    Be a Better Congress Roommate

    When most of us go to a dance weekend, we end up in a shared hotel room. It’s hard enough to share close quarters (or even a bed) with people you know and like. It can be worse to try to deal with the annoyances brought on by a stranger. But, there are some things you can do to make sure you (and your roommates) don’t want to strangle each other by the end of the weekend. Make your own life easier Understand their expectations One of the biggest lessons I learned about roommates was to manage expectations before the…