“Just feel it.” It’s a phrase meant to be a catch-all for expression in dance. It’s supposed to speak to an intrinsically natural sensation of being ‘in-tune’ with the music and dance. But, what exactly are we supposed to ‘feel’, and how do we use our ‘feelings’ in dance? More than a ‘Feeling’ Most of the time, the word ‘feeling’ gets conflated with the idea of ’emotion’. You feel happy, sad or angry. But, a ‘feeling’ isn’t limited to an emotion. It can also encompass a state of being, or a texture. For example, being tired is a ‘state’ of being – as…
-
-
I hate to break it to you, but this post isn’t going to be where I give you a magic formula that works with every partner. There’s no universal ‘great dance’ formula. However, every social dancer has their own personal ‘great dance’ formula.
-
Do any of these phrases sound familiar? “I’m heavy, so people won’t dance with me – even though I’m an awesome dancer.” “If I was younger, people would dance with me more.” “They’re only dancing with her because she’s hot. She can’t dance.” “If she wasn’t a dance snob, she’d like dancing with me.” “She only dances with super-flashy, ‘advanced’ dancers. She has no appreciation of my solid basics!’ “I’m a beginner, so no one will dance with me because I’m not good enough.”
-
Ask almost any dancer, and they’ll tell you that there are some KILLER habits that have nothing to do with your actual ability to dance. When I say ‘killer’, I don’t mean super-cool; I mean they will kill your desirability as a dance partner. For some people, these things are obvious. Others have (somehow) avoided hearing about these tricks. Last, there are those who know the tricks and think they’re doing OK – but in actuality are the worst offenders.
-
Hands are magical. They’re one of the most sensitive parts of the human body, and can even feel large microscopic molecules on a flat surface. We also generally rely pretty heavily on the hands for social dancing. Of course, it is possible to not use the hands in social dancing – but it is difficult. But, there are things that your hands can do in social dancing that you may not think about regularly.
-
Have you ever eaten (or even seen) an Oreo cookie? Two chocolate wafers, containing a glorious cream frosting in the center. Some people eat them as a sandwich; some take them apart to simply eat the cream. When you social dance, I want you to think about Oreo cookies.
-
Social Dancing: the perfect space for safe, physical contact with partners. The place where it’s OK to be super close to your partner, with no romantic or sexual inclinations. For most people who have been social dancing for a long time, the close, physical contact between dance partners can feel like a very natural space. In some dances, that closeness even becomes a symbol of the magnificent ‘great connection‘ we are always chasing.
-
Have you ever felt like your leading is a bit ‘boring’ and is stuck on autopilot? Do you default to the same movement set, regardless of music? Follows, do you ever find yourself just ‘going through the motions’ on a step? If this sounds like you, you may be dancing on default.
-
Have you ever intentionally hurt or made someone uncomfortable while you were social dancing? (No? That’s what I thought) Now the trickier one… have you ever felt like someone intentionally hurt or made YOU uncomfortable while you were social dancing with them? What about, while not intentional, negligence (a lack of care) was responsible for the injury?
-
The Fun Partners: people who are always a joy to social dance with. They bring light to their partner’s eyes, and make every song a joy. But, what is it about these people who make them so much fun?
-
I’ve been in several dance classes where students are told to make eye contact with each other. I’ve also had some creepy dances where my partner stared into my eyes for the entire dance. Where is the line between ‘not enough’ eye contact, and ‘too much’ eye contact?
-
What if I told you that you have the power to make someone’s night awesome at nearly every social you attend? Well, this is me telling you: Yes, you can. At every single event or social you attend, you have the power to make someone’s night amazing. You have the power to turn someone’s experience into something wonderful. You have the power to help someone turn an ‘off’ night into an ‘on’ night.
-
When you receive a selfless dance, it is magical. It can make you feel like you are on top of the world. At a minimum, it makes you feel happy and peaceful. It can lift your spirits or mend your mood, because the selfless dance is exactly what you needed in that moment. It can rescue your mood after a bad dance. It can make you forget about your daytime troubles. It can create a magical memory to take home. It can make you fall in love with the dance. But, the Selfless Dance should not be about you.
-
A week or two ago, we looked at what follows really want from leads… now it’s time to look at the other side of the equation: What do leads really want from follows? Do they want the follow who looks good, is super-strong, and super-flexible… or do they want a dancer who connects through everything?
-
Every lead has encountered the Backleader. Very much the follow version of a Pinball Lead, the Backleader goes where he or she wants – without regard to the partner. It doesn’t matter if the lead has another idea or if the music has a specific accent to hit – the follow is on autopilot, driving without a map – but convinced that they know where they are going.