There’s a lot of conversations surrounding whether specific staff and artists at events are paid enough. Very often, these stories are either told from the perspective of an individual who (rightly) recognizes that an event isn’t paying the fair market rate for their services (and sometimes hiring a cheap replacement), or from an organizer lamenting the high costs of running an event. I’m both an organizer and an artist, but I also work as a non-artist staff member at Zouk events (running competitions). As a result, I’ve both hired staff and artists, and been hired by events. Regardless of what side of…
-
-
We are used to paying cover to go social dancing, but for many people the concept of ‘paying for dances’ is both foreign and alarming. It is usually men who are ‘paid’ as a partner, and women who are paying. And, the practice is more frequent at large events than small socials. Paying for dances comes in several forms: taxi dancers, who are paid or given complimentary entrance/discounts to an event in exchange for social dancing; fundraiser dances, where pro’s are ‘tipped’ for a minute of social dance time and profits are donated to charity; dancer ‘rentals,’ where a high-level dancer is…
-
We know how awesome it feels to dance with a great lead or follow. We know that it’s important to be able to assess your partner during the dance to maximize your positive experience. We know that attitude plays an important part, and that there are some things you just shouldn’t do.
-
I recently arrived home from one of the largest Zouk congresses in the world. It was full of all kinds of social dance partners, but there are a few that truly stick out in my mind. One was a dance where, after the first 20 seconds, I became very scared for my safety. But, unlike every other rough dance I’ve had, the leader managed to transform this dance into one of my most memorable of the weekend.
-
Part of the thrill of being a lead in dance is being able to create the framework and shape the dance into something beautiful and creative. With a good follow, you can create magic on the floor. Better yet, you can do so effortlessly. But sometimes, leaders get so wrapped up in doing what they want that they forget about their follow.
-
On the social dance floor, there are two distinct groups that a lead or a follow will fall into. At its base level, a social dance will be either “Comfortable” or “Uncomfortable”. It doesn’t matter what level you dance at, you have complete control over which of the two groups you fall into. A complete beginner can give a partner a “Comfortable” dance, and a professional can give a partner an “Uncomfortable” dance quite easily. So, what (in my opinion) is the line between the two groups? To me, there are three main differentials: