Many leads I’ve met are frustrated by a paradox they see in the dance world. It can often seem that follows say “I want a guy who leads solid, connected basics – not advanced patterns”. Yet, the same follow is completely smitten by a lead with really, really cool moves that challenge the follower. Obviously, this can lead to a fair amount of frustration. Leads *really really* want to be a great partner dancer and give their follow an amazing time. They want to look good on the floor, and be that lead that the follows can’t wait to dance with.
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Every lead has encountered the Backleader. Very much the follow version of a Pinball Lead, the Backleader goes where he or she wants – without regard to the partner. It doesn’t matter if the lead has another idea or if the music has a specific accent to hit – the follow is on autopilot, driving without a map – but convinced that they know where they are going.
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Pinball Lead: a lead who does not let the follow finish a movement before launching into the next one. I have come across many Pinball Leads in my time. They can be a newer or older dancer, outgoing or shy, kind or snobby, and many other things. The unifying factor: they usually think that they’re doing the movement really well while they are pinballing me around.
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In dance, we have very often heard the analogy about driving a car. Usually, it’s in reference to leads ‘driving’ their follows. I’ve used the same metaphor for both leads and follows in respect to ‘test-driving’, and I’ve made allegories about driving in relation to a follow’s role.
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Everyone has their favourite social dance partners – which is awesome. Sometimes we just get those oh-so-sweet, buttery smooth dances that make us feel amazing all over. However, it is important to remember that (almost) every partner you encounter has something very, very valuable to teach you on the dance floor. This can either be from a habit they have, or the level they are dancing at. Today, we endeavor to discern what you stand to gain from every social dance partner.
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A Note from Laura Riva: I don’t normally post guest articles on my blog, but for Trevor Copp I make an exception. For those who don’t know, Trevor is one of the people behind the Liquid Lead Dancing Tedx Talk that took place a short time ago. He is also one of the people I met in my early dance days – before I even knew what Zouk was! So, when he said he wanted to write an article for TDG, how could I refuse…
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Probably every person on this planet has, at one time or another, reacted a little too strongly to something. Usually, it stems from a perfect storm of stress and other factors which just happen to hit that spot where it’s almost impossible for things to go right – and really easy for things to go wrong. The dance floor is not exempt from this – and that’s OK.
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The Ten Commandments
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I wrote an article a few days ago on being a generous dancer, and there was a question that came out of that post from several people: does being a generous dancer mean I have to dance with everyone? No, it doesn’t.
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A generous dancer is one who shares their love of dancing with the world – whatever that world may be. The Performer does this through tireless dedication to their craft, resulting in breathtaking performances of (near) perfection. The Teacher does this through thinking about how they will better communicate their craft to their students every single time they teach. The Mentor does this by guiding their mentees through all the stages of dance development.
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Floorcraft: being aware of your surroundings while dancing to maintain safety and comfort for you, your partner, and couples around you. It can include watching for potential collisions, respecting the flow, direction, or slot on the floor, and troubleshooting out of dangerous situations. The general rule preached in many dance communities is that it is the lead’s job to watch the floor during a dance. I would argue that it is actually a shared responsibility: the follow has a great deal of control in managing floorcraft, as does the lead.
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We know how awesome it feels to dance with a great lead or follow. We know that it’s important to be able to assess your partner during the dance to maximize your positive experience. We know that attitude plays an important part, and that there are some things you just shouldn’t do.
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At around 4 a.m. after a Saturday full of dancing, I had quite a memorable conversation with a dancer who had experienced a dance that they were hoping would go very right, but ended up leaving a negatively-tinged aftertaste because they and their partner weren’t on the same mental wavelength. It could have been one person not particularly being into the dance. It could also have been mental distress from a crowded floor, fatigue, or some sort of discomfort with the partner’s style.
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I love social dancing. I love the variety, I love the musicality, I love the connection. I love being challenged by new movements. Usually. Every once in a while, it seems there arises some sort of new move that has managed to crawl its way out of the list-of-things-that-should-never-be-done onto the list of things-some-leads-absolutely-love. The good intentions are certainly there, but oh-my-gawd some of these moves just…
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A few days ago, I published an article about how a leader I danced with managed to turn a really rough and scary dance into an amazing one. It was meant to show how respecting and communicating with your partner can lead to amazing dances – and rescue them when something is going wrong.