There’s a lot of conversations surrounding whether specific staff and artists at events are paid enough. Very often, these stories are either told from the perspective of an individual who (rightly) recognizes that an event isn’t paying the fair market rate for their services (and sometimes hiring a cheap replacement), or from an organizer lamenting the high costs of running an event. I’m both an organizer and an artist, but I also work as a non-artist staff member at Zouk events (running competitions). As a result, I’ve both hired staff and artists, and been hired by events. Regardless of what side of…
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There’s been a trend about celebrating people who dance outside of the traditional roles. Whether it’s male follows, female leads, or ambidextrous dancers, it’s a great thing to see so many people stepping outside of the traditional. I started leading and following my first dance (Salsa) from the very beginning nine years ago. I did the same thing when I started Brazilian Zouk. I worked at both roles, danced in both roles, and (eventually) taught in both roles. I did it in all dances I tried except West Coast Swing and Tango – for which I am forever kicking myself. Therefore, I…
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Dance is an expensive hobby. We pay for shoes, training, and… socials. But, what a lot of people don’t realize is that there are many ways to get an entire night of dancing for free! Not all of these strategies will work at all venues – but hopefully at least one of them will help you in your pursuit of more affordable dance fixes. 1 – Have a friend help you in the back door Many socials have a second entrance that’s not patrolled. Even if the door is locked, a friend on the inside can help you pop open…
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For many of us, whether professional or amateur, dance is a passion that we devote a substantial amount of time, energy, and money to. We engage in training, travelling, and practising to make our dance closer to our perceived ‘ideal’. However, for some of us, we end up burning ourselves out because we push too hard too often. We start losing motivation (and then get mad at ourselves for that decreasing motivation), which can eventually cause some of us to depart from the scene entirely. One of the biggest contributors to this burnout is that many of us don’t permit ourselves…
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Have you ever had an unpleasant dance? Maybe your partner squeezed your hand too hard. Maybe they were generally off-time and a bit rough. What did you do? Did you fix your face into an unsatisfied scowl to teach them a lesson? If you did, you have engaged in what I call passive-aggressive feedback. What is passive-aggressive feedback Passive-aggressive feedback is when a dancer uses body language (or, in extreme cases, even words) to indicate to their partner how unhappy they are with the present situation, but does not offer any constructive information as to what the issue is or…
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A Note from Laura: Sydney is a lifelong dancer who holds a Masters degree in dance and has substantial experience in both solo and partnered styles. She is currently travelling around the world to better understand the history, culture, and technique of Brazilian Zouk. Given her extensive classical training, she seemed like a great person to author a piece on the importance of a full warm-up and cool-down in the context of partnered dancing – an aspect many social dancers neglect. We hope you enjoy her debut piece on TDG. Injuries: One Potential Culprit Social dancers often don’t think about dance…
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A while ago, I wrote an article about the many reasons that professionals don’t always social dance. However, beyond that, there seems to be a fundamental disconnect both in how advanced dancers treat newer dancers, and the way that new dancers treat their dance idols. In many places, this has led to a strange dynamic where advanced dancers almost shun newer ones, while new ones create dance queues and demonize advanced dancers who are not super generous in their dances. As a social dancer in some styles and a professional in others, I’ve been on both sides of the divide.…
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Over time, dance communities are moving towards a greater focus on follower empowerment. We are becoming more aware of the value followers bring to a dance, and the need to teach to both followers and leaders. But, some people are still a little bit foggy on what follower empowerment is. What follower empowerment is not As we explore what follower empowerment is, we need to remember that it is not about making followers more important than the leader, or insinuating that leaders are the bad guys. Rather, by giving more weight to the responsibilities and importance of the follower role, it actually reduces the…
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In social dance, we often exist in a bliss bubble. We are used to physical touch and trusting those around us. But, these conditions also make it easy for people who are predators to manipulate or prey on us, our friends, and community members. More often than not, the first allegation against someone won’t get a lot of traction unless there is substantial proof. But, in most cases, predators don’t commit a one-off assault. Rather, there’s a pattern of behaviour. One person may have experienced dance floor groping; another may have been kissed by force. Then, you may find out…
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For many, a fair dance world would be one in which hard work + time = a better dancer. The person who has taken two classes a week religiously for four years would necessarily be stronger than a dancer who has taken an occasional private or event workshop in the same length of time. In reality, this isn’t how things work. Why certain people get better faster Very often, people excel quicker than their peers for one of a few reasons: Physical conditions (which may include age, flexibility, strength, health, etc) Movement experience How they think Quality of instruction/dances Talent Accepting Progress…
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Some of us complain that when we go to big events, congresses or festivals, we have a hard time getting dances. This specifically seems to affect solo travelers more than those coming with a large local group. These experiences can lead to us feeling deflated, insecure, and disillusioned. In some cases, it can even negatively colour the entire event experience. Others (particularly those who travel frequently) end up largely dancing with the same pool of desired and known partners. While this can be fun, it can also eliminate possible fantastic new partners. It also misses out on the thrills of bringing newer,…
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Have you ever been told that you were a ‘heavy’ follower, attempted to become lighter, and were then told that you were too disconnected or floppy? Or, have you been told your connection was too “light”, attempted to adjust, and then found yourself being called too “heavy”? If so, this article is for you. The “Heaviness” and “Lightness” Problem Frequently, social dancers use heaviness and lightness as catch-all phrases to encompass the idea of “connection.” A follow who is “too heavy” often has too much tension, pushes down their arms, and can feel immovable. A follow who is “too light”…
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I have always advocated strongly for dancers to speak up when something hurts, or when they’re uncomfortable. I still think it’s very important for dancers to learn how to use their voice. But, part of understanding our current social dance culture is also understanding that some people are not yet confident enough to speak up. No “Blame” (Usually) While we don’t like to think about it, sometimes we might be the person who made someone uncomfortable. There are very few (if any) people who actively want to make their partner uncomfortable. Most of us strive for the opposite. And, one of…
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Question: What do all the following scenarios have in common? A follow is encouraged to walk off the floor if their lead unintentionally executes something rough. The lead is also called an “idiot” by the advice-giver. An advanced dancer is told that they’re selfish for dancing several times with their favourite dance partner. A scene leader is told that they’re self-centered for not giving more to their community. A girl gets rejected for dances because she wore something “too revealing.” A lead gets excluded from a social dance competition because he’s not “devoted to dance enough” for a competition where follows vote…
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Each dance has their own system and customs for dancing. Some dances have a pretty defined limit of one-song-per-partner, while in others you can spend an hour or more dancing with one person. Tango has the most defined example, with a Tanda (3-4 songs) being the ‘standard’. I spend the majority of my time dancing Brazilian Zouk, which has a pretty open, multi-song system in both North America and Europe. The ‘norm’ is 2-3 songs per partner in most places. One is still polite and acceptable – but so is dancing for over an hour. I’ve also gone to WCS events, where the general ‘rule’…