Floorcraft: being aware of your surroundings while dancing to maintain safety and comfort for you, your partner, and couples around you. It can include watching for potential collisions, respecting the flow, direction, or slot on the floor, and troubleshooting out of dangerous situations. The general rule preached in many dance communities is that it is the lead’s job to watch the floor during a dance. I would argue that it is actually a shared responsibility: the follow has a great deal of control in managing floorcraft, as does the lead.
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We know how awesome it feels to dance with a great lead or follow. We know that it’s important to be able to assess your partner during the dance to maximize your positive experience. We know that attitude plays an important part, and that there are some things you just shouldn’t do.
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Follows: what if I told you that you have just as much power to shape your dance as the lead? It’s true – and it starts from the second you begin dancing. Much the same way that a lead can ‘test’ the follow’s abilities before launching into full-on dance mode, we have the ability to ‘test’ the lead’s ability and assess how much we would like to give into the dance.
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Being a light follow has nothing to do with weight. You can be 200 pounds and light as a feather, or you can be 100 pounds and feel like my apartment’s refrigerator. You can have gorgeous style and be capable of 100 single-footed spins and STILL be a refrigerator. Conversely, you can have no style and physical limitations, yet still be a light follow.
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Have you ever been in a dance class where the follows have been told to ‘Just Follow’? Have you ever heard someone told that follows have it so much easier because they ‘Just Follow’? Have you ever heard a female instructor devalued because ‘She is a follow, not a lead’? I have.
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Lead and Follow: two opposite sides of the same coin that are necessary for the perfect partner dance. Historically, these roles were called the “male” and “female” role, but luckily in the modern dance world the two roles hold greater fluidity. So, in lieu of describing the roles with a masculine and feminine narrative, how do we define them?
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Recently, there was a question on Facebook that caught my interest. Loosely, it asked if a follow should compensate when the leader does something wrong, or ONLY follow what was led. This is a reasonable enough question, but some of the surrounding conversation made me think hard on how we as a dance community conceptualize leading and following.