Followers, have you ever had a mediocre dance night? What about nights that needed to have a really great dance with a really great lead to get back on track, or nights with “not enough (good) leads”? What if there were a way to maximize how many good dances you had from the available pool of leaders? A Leader’s Perspective As an ambidanceterous person (I both lead and follow), I can tell you that the way a follow interacts with me has a massive impact on whether the dance goes well. For example, I have had top-level follows who came to the…
-
-
In many partner genres, steal dances and three-way dances (or more) are becoming more popular. In others, stealing has been part of the groundwork of the dance since its very inception. But, with this growing trend and with the adoption of dances outside their home culture, there are considerations of consent, agency, and culture that need to be discussed to be sure that everyone is happy to be stealing. What are Steal Dances and Three-Way Dances? A steal dance is when partners trade each other with others. For example, a birthday dance where different partners enter and take over leading/following…
-
Are you super, duper passionate about social dance? Are you ready to take advantage of every opportunity possible? Are you prepared to dig deep and put in all the work to become great at this new passion you’ve discovered in the past few months? Have you told your teacher or community leader all about this deep passion only to be met with “That’s great! Keep working at it!”, when you were expecting them to give you more, better, or cheaper opportunities to blossom in this wonderful world? After all, dance needs more passionate people – and you’re one of them.…
-
I turn 30 today. I started dancing when I was almost 20 (except for the ballet class I got kicked out of at age 5). That means that I’ve been dancing just over 10 years. From my infancy in Salsa to my current status as a Brazilian Zouk organizer and teacher, it’s been a long journey. In those 10 years, my dancing, my role, and my outlook has changed and evolved. Things I used to think were clear are shades of grey. This blog (started in 2013? 14?) is a living testament to that; my first few posts are very,…
-
A Note from Laura: Sydney is a lifelong dancer who holds a Masters degree in dance and has substantial experience in both solo and partnered styles. She is currently travelling around the world to better understand the history, culture, and technique of Brazilian Zouk. Given her extensive classical training, she seemed like a great person to author a piece on the importance of a full warm-up and cool-down in the context of partnered dancing – an aspect many social dancers neglect. We hope you enjoy her debut piece on TDG. Injuries: One Potential Culprit Social dancers often don’t think about dance…
-
Some of us complain that when we go to big events, congresses or festivals, we have a hard time getting dances. This specifically seems to affect solo travelers more than those coming with a large local group. These experiences can lead to us feeling deflated, insecure, and disillusioned. In some cases, it can even negatively colour the entire event experience. Others (particularly those who travel frequently) end up largely dancing with the same pool of desired and known partners. While this can be fun, it can also eliminate possible fantastic new partners. It also misses out on the thrills of bringing newer,…
-
Have you ever been told that you were a ‘heavy’ follower, attempted to become lighter, and were then told that you were too disconnected or floppy? Or, have you been told your connection was too “light”, attempted to adjust, and then found yourself being called too “heavy”? If so, this article is for you. The “Heaviness” and “Lightness” Problem Frequently, social dancers use heaviness and lightness as catch-all phrases to encompass the idea of “connection.” A follow who is “too heavy” often has too much tension, pushes down their arms, and can feel immovable. A follow who is “too light”…
-
I have always advocated strongly for dancers to speak up when something hurts, or when they’re uncomfortable. I still think it’s very important for dancers to learn how to use their voice. But, part of understanding our current social dance culture is also understanding that some people are not yet confident enough to speak up. No “Blame” (Usually) While we don’t like to think about it, sometimes we might be the person who made someone uncomfortable. There are very few (if any) people who actively want to make their partner uncomfortable. Most of us strive for the opposite. And, one of…
-
Each great dance we will ever have comes down to a few foundational building blocks. If all the blocks are there, a dance will be more successful and pleasant. But, if we prioritize certain building blocks over others, we end up with an unbalanced experience. Those building blocks can be summed up as the Who, What, Where, When, Why, and How of the dance. The Who: Connection Connection (the “Who”) is your awareness and understanding of your partner. It encompasses how you touch, hold, or feel your partner’s body. It is important for understanding the what of a dance, because it…
-
Beginners are one of the most important parts of a growing dance community. They’re our future. But, if you look at the beginners in any scene, you’ll notice a few patterns: there are types of beginners. Not everyone falls neatly under one “type.” Most will have facets of several of the categories below. 1. The Terrified One You see them at socials. But, they barely dance. They may even reject dances with you, because they’re so scared of putting themselves out there. If you do manage to get them onto the floor, they may apologize for how “bad” they are.…
-
Touch is necessary for social dancing. Depending on your style of dance, it can be anything from an open handhold to full body contact. Those contact points may also change or evolve, and those connection points may ask for specific physical responses from a partner. These touches are a type of dance-touch. They’re how we communicate with each other, for the purposes of creating an interesting, fun, and safe dance. But, there’s another type: non-dance touch. Non-dance touch is any touch that you don’t feel is part of dancing. It can be sexual, or completely platonic. These are touches that don’t…
-
Dear Leaders, You’ve probably heard somewhere that if there’s a mistake, it’s always your fault. I want to tell you that this isn’t true. As a lead, you are supposed to compensate for a follow who is struggling. This might mean slowing down, changing the moves you use, or being more clear on what you would like. But, the fact that you’re supposed to compensate for your partner doesn’t make you at fault for every mistake that happens. Compensation is a great thing. But, there’s only a certain amount you can compensate for. For example, you can’t magically turn a…
-
Most of us don’t do much talking while we dance. But, social dancing does require at least some verbal communication. In this list, we cover 10 things you should avoid saying to your dance partners. 1. “This is how you do ______.” Except for very limited circumstances, stopping a dance to explain a concept to your partner is inappropriate. Even if you are a teacher who knows what you’re saying is true, it’s still almost always inappropriate. Avoid floor teaching wherever possible and you’ll improve the dance experience for everyone involved!. 2. “Oh baby… you’re so sexy in my arms.”…
-
Instructor Paralysis is when social dancers get so nervous about dancing with an instructor that they lose their ability to dance well. While this condition is most prolific when people dance with international instructors, it can occur with any dancer you perceive as stronger than you. It can also happen if it’s simply someone you really would like to impress. It’s similar to how awkward many of us get around a romantic crush. The big difference is that Instructor Paralysis happens with dance crushes instead. Symptoms Instructor Paralysis can manifest in different ways. Common symptoms include: Shaking or trembling Forgetting to step…
-
Recently, a gracious leader asked me to dance. We got into close hold, and the connection was lovely. But, within 3 seconds in close hold, I had to walk away from the dance. He was wearing so much cologne that I could feel my throat swelling and eyes start to water. So, after a few moment, I pulled away from the embrace and told him the problem that I was having. It felt terrible to leave the dance, but for my health, I had to. As someone with a sensitive respiratory system, heavy scents can ruin a night for me. This is ironic, since…